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Sarmand Fuad Mohammed Muhammad Azeez zaza Dlawer Mustafa Muhammad

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It is a qualitative study, based on descriptive and analytical method. The homophonic process is discussed to work on matching the melody in the construction of Kurdish songs in southern Kurdistan. The process includes two elements, melody and   musical accompaniment. In this study, a musical analysis is conducted for the units and components of the research sample, and then the results are presented. During this study many models of previously popular usage methods are discussed, besides revealing many new techniques to enrich this process in Kurdish music, as recommendations by the researchers to stakeholders.

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