Reflections of Common Countryside Sceneries in American and Kurdish Poems by Robert Frost and Abdullah Goran
DOI:
https://doi.org/10.25212/lfu.qzj.9.2.41الكلمات المفتاحية:
aesthetics, revitalization, parallelism, seasonal images, and rural sceneryالملخص
This study presents an analysis of selected poems written by Robert Frost (1874–1963), as an American poet) and the Kurdish poet, Abdulla Goran (1904–1963), following the principles of the American School of comparative literature, which emphasizes a comparative study of texts from various cultures within parallelism theory - American school of comparative literature. This study investigates the significance of countryside sceneries in selected poems written by both poets in the modern era. The study also analyses seasonal changes and nature-human interactions through employing formal ambiguity The study argues that the various natural images used by the poets, as they prompted readers to actively participate in analyzing the aesthetic scenery portrayals and countryside landscapes. Goran and Frost relied heavily on the interpretation of landscapes and humanity as close observers of the interactions between people and the surrounding images.
التنزيلات
المراجع
Ali, B. (2011). From Visible to Invisible (first ed.). Slemani: Andesha Publishing House.
Aziz, S. J. (2022). Goran and the Concept of Imagism. Slemani: Sardam Printing and Publishing House.
Baym, N. (1965). An Approach to Robert Frost's Nature Poetry. The Johns Hopkins University Press, 17(4), 713-723.
Broad, A. E. (1915). Poetry and Patriotism. In A. E. Broad (Ed.), The Spike (pp. 17-27). Myanmar: Victoria University College Review.
Chandran, K. N. (2009). "Nothing Gold Can Stay": A Heliotropic Reading. The Robert Frost Review (19), 54-60.
Dollard, P. (2002). Encyclopedia of American Poetry: The Twentieth Century (first ed.). New York: Routledge.
Domínguez, C., Saussy, H., & Villanueva, D. (2014). Introducing comparative literature: New trends and applications. Routledge.
Fagan, D. J. (2007). Critical Companion to Robert Frost: A Literary Reference to His Life and Work (first ed.). New York: Infobase Publishing.
Fatah, R. (2017). My Poetry Depicts You: An Anthology of Contemporary Kurdish Poetry (first ed.). London: Independently Published.
Gale, C. L. (2017). A Study Guide for Robert Frost's "Nothing Gold Can Stay" (first ed.). Detroit: Gale, Study Guides.
Hadas, R. (1985). Form, Cycle, Infinity: Landscape Imagery in the Poetry of Robert Frost and George Seferis. Bucknell University Press.
Karim, B. H. (2021). A Study of the Comparative Elements of Nature and Beauty in the Poetry of William Wordsworth and Abdullah Goran. Technium Social Sciences Journal, 15, 47-54.
Kendall, T. (2012). The Art of Robert Frost (first ed.). New Haven: Yale University Press.
Lynen, J. (1960). The Pastoral Art of Robert Frost, Nature and Pastoralism.
Mahmood, B. O. (2020). Nature, Woman, and Death in Selected Poems of Abdulla Goran and Latitia Barbaulda. College of Basic Education, (106), 653-670.
Mahmood, F. M. (2007). Nature in the Poetry of Goran (first ed.). Slemani: Sardam Publishing House.
Mayers, K. M. (2011). Visions of Empire in Colonial Spanish American Ekphrastic Writing (first ed.). Plymouth: Government Institutes.
Mirawdeli, K. (2013). Goran: The Romanticism of Nature and Beauty (first ed.). Slemani: Dengekan.
Olson, R. (1992). The Kurdish question in the aftermath of the Gulf War: geopolitical and geostrategic changes in the Middle East. Third World Quarterly, 3(13), 475-499.
Patil, M. (1997). Thomas Hardy: The Poet: A Critical Study (first ed.). New Delhi: Atlantic Publishers & Dist.
Sen, S. (2015). ‘Whoever Calls Themselves a Kurd is Happy’: Democratising Kurdish Landscapes. In Defining Landscape Democracy Conference Reader (p. 105).
Sheehy, D. G. (2003). "Stay Unassuming: The Lives of Robert Frost”. In R. Faggen, The Canbridge Companion to Robert Frost (pp. 7-35). Edinburgh: Cambridge University Press.
Siwayli, R. H. (2021). Abdulla Goran's Book (first ed.). Slemani: Karo Publishing.
Tuten, J. Z. (2001). The Robert Frost Encyclopedia (first ed.). London: Greenwood Press.
التنزيلات
منشور
كيفية الاقتباس
إصدار
القسم
الرخصة
هذا العمل مرخص بموجب Creative Commons Attribution 4.0 International License.
Qalaai Zanist Journal allows the author to retain the copyright in their articles. Articles are instead made available under a Creative Commons license to allow others to freely access, copy and use research provided the author is correctly attributed.
Creative Commons is a licensing scheme that allows authors to license their work so that others may re-use it without having to contact them for permission