The Representation of the Loss of Faith in Matthew Arnold's Dover Beach

Authors

  • Harem Kareem Mahmood Department of English Language, Piataxt Technical Institute, Erbil, Kurdistan Region, Iraq department of English language, Gasha Technical Institute, Erbil, Kurdistan Region, Iraq

DOI:

https://doi.org/10.25212/lfu.qzj.7.1.40

Keywords:

Dover Beach, Matthew Arnold Victorian period, New Criticism, New Historicism, Religion, Melancholic tone

Abstract

The nineteenth century is largely recognized for the controversial disagreements between the newly scientific discoveries and religious theories. Thus, this paper presents data on the Victorian period and more specifically the poem Dover Beach by Matthew Arnold. Meantime, it highlights the loss of faith in the Victorian society of England through the lens of New Criticism and New Historicism theories. The research aimed at illustrating the loss of religion and the melancholic tone evoked by Matthew Arnold in his Well-known poem Dover Beach. At the beginning, it provides a critical insight on the principles and the histories of these two theories. Additionally, in the introduction, the paper contains significant information on the message of Dover Beach and its linkage to the theories. Equally important, follows it the discussion and analysis section, which is probably the fundamental part of the research. Finally, a brief conclusion is provided at the end.

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References

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Published

2022-03-30

How to Cite

Harem Kareem Mahmood. (2022). The Representation of the Loss of Faith in Matthew Arnold’s Dover Beach. QALAAI ZANIST JOURNAL, 7(1), 991–1001. https://doi.org/10.25212/lfu.qzj.7.1.40

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Articles